Inspired by a great piece on Justin Townes Earle in Rolling Stone, Bob played a bunch of cuts from both JTE and his dad, Steve. Bob also noted Kris Kristofferson’s retirement announcement and played new and old Marty Stuart. Enjoy!
Jane Thompson joined Bill to celebrate Part 2 of BS&B’s seventh anniversary, plus each of their birthdays (Jan. 26 and Jan. 29), and her return to living in Cincinnati for the first time in 15 years. The event featured tunes from the first show on Jan. 22, 2014 (Jayhawks, Rolling Stones), Jane’s picks (Barenaked Ladies, Taylor Swift) and much more.
Bob went back in time to kick off the first segment of Bill and Bob’s two-part Seventh Anniversary Snake-a-palooza. Due to Covid restrictions, the studio was uncharacteristically empty of fans, suits, hangers-on and the like who are usually on hand to help celebrate. So, to combat the loneliness Bob dug deep in the alt-country roots catalogue with John Hartford, the Byrds, PPL, Stones, Lightnin’, Dylan, Duane Jarvis, Linda Ronstadt, Johnny Cash, Uncle Tupelo, Old 97s and many, many others. He also paid tribute to Leadbelly’s birthday and to Bill’s upcoming 70th. Bill will swoop in next week with Part B of the anniversary celebration.
Bill welcomed the new year with best wishes to local singer-songwriter Kim Taylor, who is moving to California, a preview of Janinne Thompson’s round-number birthday next week, and a mini-salute to the sweet sound of Dusty Springfield.
When your show has “Banjos” in its name, you better believe birthdays don’t get bigger than that of the late, beyond-great Earl Scruggs. Bob played several sets featuring the Jesus of the banjo in honor of the man who revolutionized picking and turned the banjo from a tagalong rhythm instrument to the lead. Along with Jimi Hendrix and Dick Dale, Earl Scruggs is one of the few to bring a truly transformative style to their instrument. And it helped take one’s mind off the attempted coup.
Bill played his Top 20 albums of 2020, with American Aquarium’s combustible “Lamentations” sitting at No. 1. After the countdown, he paid tribute to guitar masters Leslie West or Mountain and bluegrass legend Tony Rice, noted the unexpectedly wonderful Bee Gees documentary on HBO, and said goodbye one final time to his Piqua pal Jimmy Elliott.
Bob waxed (and whined) at length about the history of one of his favorite Christmas songs, “Have Yourself A Merry Little Christmas,” as he does almost every year. This year, however, the convoluted lyrical evolution of the song was particularly relevant given that most of us had to content ourselves with the melancholy little holidays that the song invokes. But it was not all gloom. There was the usual helping of Detroit Junior, Lil Ed, and Canned Heat to provide a bluesy flavor, along with Ronnie Fauss, John Prine and others to make you miss down home. And happy 80th Birthday to Jorma Kaukonen of Jefferson Airplane and Hot Tuna fame.
Bill talks about becoming a movie star after appearing in ‘It Was the Music,’ the Larry Campbell and Teresa Williams documentary, then features Karin Bergquist and Linford Detweiler of Over the Rhine, who performed their annual Christmas concert from their Nowhere Else Farm this year because of the pandemic.
Bob braved a veritable vortex of virus to do his “Best of 2020” in studio. Unlike past years, he did not rank the 26 discs he played (or just mentioned–sorry, Loudon Wainwright III and Wood Brothers), but breaking some news in this post he declares brand new gazilllionaire Bob Dylan’s “Rough and Rowdy Ways” his favorite release of 2020–a close call,It’s not all old warhorses, though, despite the presence of Neil Young, Dave Alvin, Ray Wylie Hubbard, and Chris Smither on the list. Tune in to hear Bettye Lavette, Lucinda Williams, Tyler Childers, the Allman-Betts Band, Shemekia Copeland, Mapache, and more. Great music for an awful year.
Bill featured music from a holiday weekend spent watching documentaries on Bobby Keys – the Texas-born saxophonist who played with the Rolling Stones, Delaney & Bonnie and Joe Cocker’s Mad Dogs & Englishmen – Taylor Swift, and “Austin City Limits.”
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